Thanks to Hannah Kezema for this powerful review of The Easy Body by Tatiana Luboviski-Acosta in Full Stop.
Here's an excerpt to get grab you:
"The identity of the systemically oppressed body cannot be singular; Luboviski-Acosta shows us this in one painfully seamless dance. The continuity of the form borders on brutal – only periodically is the text intervened by fragmented, almost Cubist bodies and their parts. Dismembered feet learning how to walk. Luboviski-Acosta’s visual art dares you to look twice, for the flower may be guised as a gun. A smear of dark pigment is likely blood. The oppressed body must expand, breach, and shape-shift in order to survive: “our bodies / adapted: we grew and split into mirrors; we blistered and / replaced the meadows.” In particular, the transparent pages in the artist edition of The Easy Body seem to act as layers for this self-constructed multifaceted identity. I’ve heard these pages referred to as “scar tissue,” conjuring up a fleshy treatise on survival. They seem to float in their emptiness and at their turning, subtly build into a collage of being. A traced record, or imprint: of bodies."—Hannah Kezema, Fullstop